Laying the Groundwork for Your Novel: The Basics of Plot and Storytelling

Horror.  Science Fiction.  Romance.  There are many kinds of stories to tell, and although every story is unique, there are, generally speaking, some elements that are universal:

- The Hero
- The Journey
- The Prize
- The Great Obstacle

The Hero

Or, I should say, the Hero(es)-slash-Heroine(s) - what some writers refer to as the "H/H."  This is the protagonist, the person your story is about. The H/H is your Frodo Baggins, your Elizabeth Bennett, your Harriet the Spy, or even your Benji!

Of course, the hero doesn't really have to be heroic - at least not in the usual way! He or she could be Ebenezer Scrooge. Or Dexter, for that matter. But your "H/H" does have to be empathetic. Your reader must be able to feel for him, or at least get a laugh out of him. Ebenezer Scrooge won my heart as soon as he said to Jacob Marley, "There's more of gravy than of grave about you, whatever you are!" Despite the fact that Dickens had shown Scrooge to be a despicable human being, when I read that line I thought, "Well, there's something to that guy. If nothing else, he's funny." And because of that I was willing to go on the journey with him, and even to root for him.

The Prize

We all want something.  Health, happiness, long life.  And a million dollars.  Sometimes we want to foil a bank robbery, solve an ancient riddle before time runs out, or marry the man of our dreams. 

In Lord of the Rings, the prize was getting the ring to the fires of Mordor.  In Pride and Prejudice it was a good marriage with a suitable spouse.

Sometimes the prize starts out to be one thing and turns out to be another.  In Lassie Come Home (a personal favorite of mine when I was a child), the prize seems to be for Joe to get his dog back.  But it turns out to be much more: it's the reuniting of the hearts of a family, and the rejuvenation of an entire town.

Whatever the prize is for your hero, make sure you know it, even if your hero doesn't yet. 

The Journey

All heroes are headed somewhere.  They're not just sitting on their hands while events unfold around them.  They are going somewhere, whether it's a physical journey or an emotional one.  And usually that journey is toward their Prize, whatever that is for them.

In Gone with the Wind, Scarlett O'Hara's prize was Ashley.  Her emotional journey took her through the Civil War, three marriages, the death of two husbands, childbirth, the death of her daughter, and a relationship with the unforgettable Rhett Butler.  And how did her journey end?  With the realization that her actual prize was Rhett himself. 

Sometimes a journey is both physical and emotional.  In that case, each journey has a prize of its own.  For Lassie, the physical journey had only one prize: to be in her usual spot when Joe got out of school.  The prize for her emotional journey was the return to her loving family and, as mentioned above, the return of a town to something of its former glory.

The Great Obstacle

If Frodo and company had just been able to hop into a limo and ride to Mordor in air-conditioned comfort, would we really have lasted through three novels?  Of course not.  And so we have our Great Obstacle, in the power of Sauron, who sent forth many other obstacles to impede the progress of our noble heroes. 

In The Grapes of Wrath, the Joad family also faced a multitude of obstacles: lack of money, great distance, the flaws in their own family coalescence, the heartless opportunism of others, and the abject poverty of an entire nation. 

But regardless of whether you're writing a literary masterpiece, a tale of adventure and fantasy, or a simple homespun romance, every story must have a great obstacle.  Sometimes the greatest obstacles are the hero's own character flaws which are preventing him from reaching his goals.
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Of all these - the Hero, the Prize, the Journey and the Great Obstacle - is there one that you think is more important than the others?

Fiction Writing: What's It Made Of?

It's been said that there are three basic elements to fiction: plot, characters, and setting.  Over the next few weeks I'd like to get into each of these individually, but for now let's just take a quick look at these important ingredients in your fiction pie:

Plot - To put it plain and simple, "plot" is your story line.  It's the chain of events that takes your characters on a ride, and brings your readers along with them.  A good plot doesn't necessarily have to be exciting in an oh-my-god-we-have-to-find-and-diffuse-the-bomb kind of way, but should contain at least minor amounts of mystery and excitement, even if it's just in an oh-my-god-where-are-my-car-keys-so-I-can-go-out-on-my-first-date-in-years kind of way! 

Characters - Of the three elements, this one is definitely my favorite.  Why?  Well, mainly because I'm lazy, I guess.  It's always been my belief that if you have good characters, they write their own story, which keeps the need for plotting at a minimum!  Okay, that's a little bit of a joke (although it's not entirely untrue, either!)  "Characters" are, of course, the people in your book.  You could also look at them as the readers' guides: the ones who are leading your readers along the path that is laid by your plot.  Relatable characters are essential for telling a good story.

Setting - Well, if the plot is your path, and the characters are your guides, what does that make setting?  Your scenery!  But of course, it's a bit more than that.  Setting is essentially the where-and-when of your story.  It's Victorian England, or the recent future on a dying planet, or a modern day suburb.  It's the universe in which you are immersing your characters (and readers), and through which your are laying down your plot.  It's multi-dimensional; it looks, smells, sounds and tastes the way you decide it will. 

These three elements combine in a million different ways.  Your setting effects your characters (think of the difference between the Australian outback of the 1930s and the city of Tokyo in modern times): how they look, talk, etc.  This in turn effects your plot, because different characters will react to circumstances uniquely, and this in turn will change the course of events in your story!

We can take up each of these elements in several different blogs in the coming weeks.  I'm looking forward to re-exploring all of these vital pieces of your story-puzzle, and I hope you are too!

So, any preference as to which one we start with?